Phone: 801-520-5576
Email: ershotz@gmail.com
• Have questions about print sizes?
• Looking for custom frame dimensions?
Feel free to reach out via text, call, or drop a line through my primary Contact Page Form directly.
Thank you for your interest in my work. I am a landscape photographer specializing
in panoramic landscapes that I like to call "panoscapes."
By utilizing high-end digital platforms like the
Fujifilm GFX system alongside advanced stitching software,
I seamlessly combine single and multi-row exposures into massive,
high-resolution master images. The end result is blistering, razor-sharp
detail—even when printed at grand scales like 30x60 or 48x96 inches.
My journey began in the days of analog film with legendary
medium-format cameras like the Pentax 6x7 and Mamiya 7 II,
where I developed my lifelong love for the rich, vibrant
color palettes of Fujichrome Velvia, Astia, and Provia slide films.
All images can be printed on high gloss metal or canvas by request.
Please call me and let me know what you're looking for, as most of my prints are custom commissions.
If you are interested in acquiring one of my images, use my contact page to fill out your details and I will get back to you directly.
Or feel free to call, text, or email me at any time for further information.
Contact Details:
mobile: 801-520-5576 --- or --- email: ershotz@gmail.com
My process bridges the pinnacle of
medium-format digital capture with
gallery-grade printing. Every panoramic
"panoscape" begins with the incredible
resolving power of the Fujifilm GFX camera
system. By stitching these multi-row,
ultra-high-resolution files together,
I create massive formats packed with
lifelike texture. To bring this
blistering detail to life, I print
exclusively using the Canon imagePROGRAF
PRO-4000 system. Utilizing a 12-color
LUCIA PRO archival pigment ink array and
a specialized Chroma Optimizer, it mirrors
the deep shadow depth and rich saturation
of classic film. Whether face-mounted on
high-gloss metal or wrapped on archival canvas,
the final result is a breathtaking, fade-resistant
print holding razor-sharp clarity at
massive scales up to 48x96 inches
Not printed on metal — infused into it. Through a process
called dye sublimation, specialized dyes are heated into a gas
and permanently bonded beneath a protective polymer coating
on the aluminum surface.
The result is stunning:
vivid colors with exceptional
depth, a luminous surface that
seems to glow from within, and
a physical presence that flat prints
simply cannot match. Metal prints are
not fragile reproductions — they
are permanent, archival objects
built to last generations.
Canvas brings a dimension that flat surfaces cannot.
The woven texture catches light differently
across the surface, giving photographs and
paintings an organic depth that draws people closer.
Our true Giclée process uses 9-color archival inks
on a premium 400gsm poly-cotton blend, producing
museum-quality reproductions with:
Cascading water flows over colorful sandstone in rich shades of red, gold, and black, with vibrant green moss clinging to the wet rocks and the ladder rising in the background.
Golden sunrise rays illuminate the majestic
Court of Patriarchs cliffs while the emerald-green
Virgin River flows through the foreground with a
small waterfall catching the morning light. This
peaceful Zion scene captures the stunning contrast
between warm canyon walls and cool river tones.
